Sylosis: ‘The Path’ Review
Sylosis have gone from strength to strength since their return in 2019. Last year’s A Sign of Things to Come was a rare example of a band delivering on the promise of their heaviest...
A Sunday in September Festival Review: The Fierce and The Dead, iamthemorning, Last of Eden, and more!
At a quaint Elizabethan venue buried in the depths of South London, A Sunday in September is a now regular one dayer festival that features a great mix and myriad of artists. Put on...
Big Big Train at Thornden Hall in Eastleigh
Big Big Train, or Large Large Locomotive as they are occasionally known, have taken it upon themselves to tour once again. Mostly around the UK, but also diving into a few European cities too....
Pure Reason Revolution: ‘Coming Up To Consciousness’ Review
I’m a bit of an odd one when it comes to music – sometimes I like to be challenged and have my face ripped off, sometimes I like to be carried blissfully and calmly...
FOXCULT, nightlife, and Outline in Color at The Sanctuary Hamtramck
Walking into Hamtramck’s Sanctuary on that summer evening, I found myself looking at something I had never seen at the venue before– a metal detector. The small dive bar was usually home to aggressive...
Meer: ‘Wheels Within Wheels’ Review
In 2021, the prog scene witnessed a relative rarity. An actually new breakthrough act that came in the form of Norwegian octet Meer. They’ve been on the minds of many prog rock enjoyers since Playing...
Leprous: ‘Melodies of Atonement’ Review
Leprous are back, again. And I think by this point if you follow even a slither of the modern progressive music scene, you know who we’re talking about here. A song, a record, seen...
King Gizzard and The Lizard Wizard: ‘Flight b741’ Review
Another year, another album by the Australian collective King Gizzard and The Lizard Wizard. Last year I reviewed their albums PetroDragonic Apocalypse, and The Silver Cord, both being in the metal and electronic genres...
Radar Festival 2024: The Review
Proghurst as a unit has recently been out and about at Radar Festival this year, trying to locate some good bands and good friends. Both of those are found aplenty – and it’s no...
The Pineapple Thief: ‘It Leads to This’ Review
You can always be assured of quality when a release bears Bruce Soord’s name in its credits but sometimes it can be lacking that special ingredient that elevates it to the level of excellence....
