TesseracT: ‘War of Being’ Review
Five years after their previous studio release, UK progressive metal artists TesseracT, are back in the spotlight with War of Being. The five-man band has made themselves established giants in the prog djent scene...
Category: 💿 Album Reviews
The Anchoret: ‘It All Began With Loneliness’ Review
There is a risk with ‘project’ albums such as this that the band feels incohesive due to their lack of experience working together and that the music feels like a by-the-numbers amalgamation of the...
Voyager: ‘Fearless in Love’ Review
Have you ever read a review like this before? It’s a broadly positive review for the Australian prog metal band Voyager’s new album Fearless in Love, so you probably have. Cards on the table:...
Big Big Train: ‘Ingenious Devices’ Review
Big Big Train has brought forth a new release titled Ingenious Devices featuring updated versions of three of their beloved tracks from different albums as well as one previously unreleased instrumental track. The previously...
Avenged Sevenfold: ‘Life is But a Dream…’ Review
So there’s a new Avenged Sevenfold album. For those somehow living under a rock, Avenged Sevenfold (sometimes affectionately referred to as A7X for short) have been at the forefront of hard rock and metal...
King Gizzard and the Lizard Wizard: ‘PetroDragonic Apocalypse’ Lore Breakdown
King Gizzard and the Lizard Wizard needs no introduction at this point. The Australian collective have become a household name in today’s modern rock landscape thanks in no small part to their prolific output,...
AVKRVST: ‘The Approbation’ Review
Today, AVKRVST have released their debut album, coming at us from a forest in the depths of Norway – as any album from Scandinavia worth its merit should. As with any new band, I...
Scar Symmetry: ‘The Singularity (Phase II – Xenotaph)’ Review
The 100-meter sprint is traditionally considered to be the supreme discipline at the Olympic Games. If we were to consider the supreme discipline in metal, I’d define it as “succeeding to make something that...
Einar Solberg: ‘16’ Review
In the world of modern progressive rock, Einar Solberg needs almost no introduction. The Norwegian frontman of Leprous has essentially defined the sound of his main band with his iconic falsetto and synth work....
RPWL: ‘Crime Scene’ Review
Concept albums are no stranger to German Prog Rockers RPWL from their roots of covering Pink Floyd’s epic story-driven LP’s to their own original material of the past two decades. ‘Crime Scene’ is their...
